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This edited volume focuses on Anglo-American modernist fiction, offering challenging perspectives that consider modernism in the instances in which it transcends itself, moving, broadly speaking, towards postmodernist self-irony. As such, the contributions here discuss issues such as being in creation; narrativizing being and creation; the relation between being and narrative; the situation of being in narrative time and space; the relation between authority and narrative; possible authority over narrative and the authority of narrative; interaction between narrative and the other; the authori
Modernism (Literature) --- Fiction --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Crepuscolarismo --- Literary movements --- History and criticism.
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This book is a product of the XI International Conference on English Language and Literary Studies held in Montenegro in 2014. The "old spaces" were taken as a metaphorical tool for reintroducing a wide range of established topics with new approaches. Space was, thus, understood as physical, mechanical, continuous, linear, as measurable and symbolic, as subjective and relational, and as aesthetic. It was found on maps, in architecture, on theatre stages, in books, in hearts, in one's identity, in time, and in theses and theories from the Aristotelian topos to Einstein's construct of space-time
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